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This article analyses how the redefinition of artistic property by the EU to build a digital single market affects the mobilisation strategies of two associations of French writers’ representatives. The article identifies a double phenomenon: the conservation of previous modes of action due to a path dependency logic and a lack of European social capital; and a transnationalisation of the action as a resistance to a possible supranationalisation, which is the result of the refraction of the Eurocracy field’s logics upon the French literary field.