The Ear and the Mind. Musical Listening and Psychoanalytic Listening
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What Freud describes as his incapacity for “musical enjoyment” serves as a start-ing-point for approaching the sensations produced by music as belonging to a quite distinct form of listening to that which is involved in psychoanalytic listening. However, if one is atten-tive and open to all the richness of the sensations aroused by listening to music, one can then envisage the existence of musical listening in the analytic situation.
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