Midas’ tears. On The Bitter Tears of Petra von Kant, By R.W. Fassbinder
Type de matériel :
TexteLangue : français Détails de publication : 2021.
Sujet(s) : Ressources en ligne : Abrégé : An analysis of the relations of power, knowledge, and money in Fassbinder’s 1972 film. Love is only born from loss. The relevance, in the background of the film, of Poussin’s painting Midas and Bacchus (1629) is interpreted through Lacan’s concept of the gaze, embodied in the film by the almost silent Marlene.
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An analysis of the relations of power, knowledge, and money in Fassbinder’s 1972 film. Love is only born from loss. The relevance, in the background of the film, of Poussin’s painting Midas and Bacchus (1629) is interpreted through Lacan’s concept of the gaze, embodied in the film by the almost silent Marlene.
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