The Image as a Vector of Sociality
Type de matériel :
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Those who in a critical perspective consider the imaginary a form of alienation cannot understand that the image can become a vector of socialities. The importance that the broadcasting of images has in postmodernity is the sign of an enhancement of human communion. It is necessary to read in the present proliferation of images (iconic, advertising, television, virtual, etc.) the indication of a tribal membership founded on the sharing of emotions and of a“remythologization” by means of the use of new technologies.
Réseaux sociaux