On the political potentialities of montage: Godard, Benjamin, and the development of a “critique of violence”
Type de matériel :
TexteLangue : français Détails de publication : 2021.
Sujet(s) : Ressources en ligne : Abrégé : Already described and investigated as a reflection on the history of the twentieth century, the art of Jean-Luc Godard forces us to conceive the practice of montage as a ceaseless juxtaposition of different places and historical events. This article focuses on a sequence from the Histoire(s) du cinéma, investigating the political implications of an anachronistic and anatopistic montage. Developing along this path is a dynamic of relaunches and overlaps between the thought of Walter Benjamin and the cinematic work of Godard.
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Already described and investigated as a reflection on the history of the twentieth century, the art of Jean-Luc Godard forces us to conceive the practice of montage as a ceaseless juxtaposition of different places and historical events. This article focuses on a sequence from the Histoire(s) du cinéma, investigating the political implications of an anachronistic and anatopistic montage. Developing along this path is a dynamic of relaunches and overlaps between the thought of Walter Benjamin and the cinematic work of Godard.
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