Le visuel et le figural dans Leaves of Grass
Type de matériel :
67
The present study analyses Walt Whitman’s visual poetics. The poet tries to paint himself as a seer more than as a sayer. Colour, in this regard, enables him to invest signifiers with a new strength and tentatively make the reader fully participate in a language experiment aiming to take poetry away from mimesis to bring it closer to methexis (participation).
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