TY  - BOOK
AU  - Fargeton,Pierre
TI  - Georges Brassens, Music-Hall Antihero? When performance hides in the music of the songs
PY  - 2025///.
							
N1  - 52
N2  - ‪Alone on stage or with a double-bassist in the semi-darkness, frozen in front of the microphone, without a word or any greeting to the audience: the common image of Brassens portrays a figure not only at odds with the usual codes of music-hall, but also far removed from the elementary habits of the singing tour or song recital. How, then, can we explain Brassens’ success on the music-hall stage? The hypothesis is that the theatrical and spectacular dimension of Brassens’s songs has shifted inward in two ways: firstly, in the lyrics, where Brassens’s poetic world functions as its own little theater, whose codes no longer need to be externalized; and secondly, in the music, where each public appearance by Brassens is a performance in which the musician, far from replicating as closely as possible the records for which the audience has come to hear him, surprisingly re-enacts his own songs.‪
UR  - https://shs.cairn.info/journal-volume-2025-1-page-137?lang=en&redirect-ssocas=7080
ER  -