TY  - BOOK
AU  - Malcor,Marc
AU  - de Vitry,Alexandre
AU  - Garnier,Gautier
AU  - Albanel,Véronique
AU  - Nys-Mazure,Colette
AU  - Oiry,Béatrice
AU  - Dethurens,Pascal
AU  - Anger,Violaine
AU  - Nieuwjaer,Raphaël
AU  - Leboyer,Olivia
AU  - Pourquery,Didier
AU  - Glaise,Anthony
AU  - Bellon,Raphaëlle
AU  - Cugno,Alain
AU  - Plusquellec,Florent
AU  - Corman,Antoine
AU  - Ribereau-Gayon,Philippe
AU  - Donegani,Jean-Marie
AU  - Laux,Henri
AU  - Cordemoy,Laurent
AU  - Protais,Baptiste
AU  - Euvé,François
AU  - Mycinski,Cyprien
AU  - Maila,Joseph
AU  - Arnault,Gabriel
AU  - Browaeys,Dorothée
AU  - Houdeville,Eymard
AU  - Korchane,Faker
AU  - Perrot,Étienne
TI  - Front matter
PY  - 2025///.
							
N1  - 94
N2  - Alfred Hitchcock’s religious upbringing shaped his cinematic works. Not that he dealt directly with the question of the Catholic faith or wanted to proselytize, but he discovered the many faces of fear outside the protective family bubble, thanks to his education in several Jesuit institutions. The filmmaker never managed to shake these childhood fears—at best, he endeavored to exorcise them through his films
UR  - https://shs.cairn.info/journal-etudes-2025-9-page-1?lang=en&redirect-ssocas=7080
ER  -