TY  - BOOK
AU  - Trentini,Bruno
TI  - Framing the Attitude of the Spectator: An Aesthetic Constraint
PY  - 2012///.
							
N1  - 64
N2  - Accessing the mode of production of the work of art is in some cases a necessity for esthetic appreciation: as if the framing of work would allow a framing of the attitude of the spectator without which aesthetic experience could not exist. From the study of a series of René Magritte’s paintings compared with contemporary works, poetic constraint is broached for the strategic and programmatic qualities of the reception of the work: a reception which would be impossible without the latter because the spectator would not know what attitude to adopt to the work
UR  - https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2012-1-page-55?lang=en&redirect-ssocas=7080
ER  -