TY  - BOOK
AU  - Zucconi,Francesco
TI  - On the political potentialities of montage: Godard, Benjamin, and the development of a “critique of violence”
PY  - 2021///.
							
N1  - 85
N2  - Already described and investigated as a reflection on the history of the twentieth century, the art of Jean-Luc Godard forces us to conceive the practice of montage as a ceaseless juxtaposition of different places and historical events. This article focuses on a sequence from the Histoire(s) du cinéma, investigating the political implications of an anachronistic and anatopistic montage. Developing along this path is a dynamic of relaunches and overlaps between the thought of Walter Benjamin and the cinematic work of Godard
UR  - https://shs.cairn.info/journal-societes-2021-3-page-97?lang=en&redirect-ssocas=7080
ER  -