| 000 | 01215cam a2200205 4500500 | ||
|---|---|---|---|
| 005 | 20250204181642.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aRueda, Amanda _eauthor |
| 700 | 1 | 0 |
_a Lefebvre, Muriel _eauthor |
| 700 | 1 | 0 |
_a Le Forestier, Mélanie _eauthor |
| 700 | 1 | 0 |
_a Mandin-Charrier, Aurélie _eauthor |
| 700 | 1 | 0 |
_a Chatelet, Claire _eauthor |
| 245 | 0 | 0 | _aEntering into the Painting: A Study of Virtual Reality Productions from the ARTE Trips Collection |
| 260 | _c2024. | ||
| 500 | _a9 | ||
| 520 | _aIn the French audiovisual landscape, the Franco-German television group ARTE became involved very early on in the development and support of “innovative” digital content. In this paper, we analyze five of the ten 360° VR productions included in the ARTE Trips art history collection. We examine the relationship to the initial works offered by these digital devices in terms of both the experiential promise and the ways in which encounters with the paintings are mediated. | ||
| 786 | 0 | _nÉtudes de communication | - | 2 | 2024-12-09 | p. 133-151 | 1270-6841 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-etudes-de-communication-2024-2-page-133?lang=en&redirect-ssocas=7080 |
| 999 |
_c1064603 _d1064603 |
||