000			01848cam a2200289zu 4500
001			88878027
003			FRCYB88878027
005			20250106173024.0
006			m o d
007			cr un
008			250106s2018 fr | o|||||0|0|||eng d
020			_a9781771992282
035			_aFRCYB88878027
040			_aFR-PaCSA _ben _c _erda
100	1		_aAbdou, Angie
245	0	1	_aWriting the Body in Motion _bA Critical Anthology on Canadian Sport Literature _c['Abdou, Angie', 'Dopp, Jamie']
264		1	_bAthabasca University Press _c2018
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aAbdou, Angie
700	0		_aDopp, Jamie
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88878027 _qtext/html _a
520			_aSport literature is never just about sport. The genre’s potential to explore the human condition, including aspects of violence, gender, and the body, has sparked the interest of writers, readers, and scholars. Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts. The contributions sketch the state of current scholarship, highlight recurring themes and patterns, and offer close readings of key works. Organized chronologically by source text, ranging from Shoeless Joe (1982) to Indian Horse (2012), the essays offer a variety of ways to read, consider, teach, and write about sport literature. With contributions by Jason Blake, Laura K. Davis, Cara Hedley, Paul Martin, Fred Mason, Sam McKegney, Gyllian Phillips, Trevor J. Phillips, and Cory Willard.
999			_c10835 _d10835