| 000 | 01400cam a2200265 4500500 | ||
|---|---|---|---|
| 005 | 20250112011027.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aLuongo, Salvatore _eauthor |
| 700 | 1 | 0 |
_a Regnoli, Giuliana _eauthor |
| 245 | 0 | 0 | _a‘Epic geography’ of the Cantar de Mio Cid |
| 260 | _c2017. | ||
| 500 | _a86 | ||
| 520 | _aIt is well known that one of the main concerns of medieval Spanish epic poems is topology: the Cantar de Mio Cid is marked by a great regard for geographical detail as observed in its characters’ journeys, its careful annotation of even the simpler toponyms or of the harder ones to localise. The representation of place, however, does not avoid the unique ‘perspective’ that imbues epic discourse from the standpoint of form, content and ideology, since the ‘plausibility’ of settings, landscapes and movements does inextricably coincide with their symbolical and metaphorical value. | ||
| 690 | _atoponymie | ||
| 690 | _agéographie | ||
| 690 | _alittérature médiévale | ||
| 690 | _aréférent spatial | ||
| 690 | _aspatial reference | ||
| 690 | _amedieval literature | ||
| 690 | _atoponymy | ||
| 690 | _ageography | ||
| 786 | 0 | _nCahiers d’études hispaniques médiévales | 40 | 1 | 2017-09-21 | p. 211-219 | 1779-4684 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-cahiers-d-etudes-hispaniques-medievales-2017-1-page-211?lang=en |
| 999 |
_c110013 _d110013 |
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