000			02458cam a2200277zu 4500
001			88956961
003			FRCYB88956961
005			20250429180630.0
006			m o d
007			cr un
008			250429s2022 fr | o|||||0|0|||eng d
020			_a9780691231914
035			_aFRCYB88956961
040			_aFR-PaCSA _ben _c _erda
100	1		_aLynford, Sophie
245	0	1	_aPainting Dissent _bArt, Ethics, and the American Pre-Raphaelites _c['Lynford, Sophie']
264		1	_bPrinceton University Press _c2022
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aLynford, Sophie
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88956961 _qtext/html _a
520			_aA revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politicsThe American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics.Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice.Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.
999			_c1322893 _d1322893