000			01846cam a2200277zu 4500
001			88957210
003			FRCYB88957210
005			20250429180817.0
006			m o d
007			cr un
008			250429s2023 fr | o|||||0|0|||eng d
020			_a9780691252780
035			_aFRCYB88957210
040			_aFR-PaCSA _ben _c _erda
100	1		_aMontagu, Jennifer
245	0	1	_aGold, Silver, and Bronze _bMetal Sculpture of the Roman Baroque _c['Montagu, Jennifer']
264		1	_bPrinceton University Press _c2023
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aMontagu, Jennifer
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88957210 _qtext/html _a
520			_aAn in-depth look at the exquisite metal sculpture of the Roman baroqueRoman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.
999			_c1323310 _d1323310