000			02053cam a2200277zu 4500
001			88957212
003			FRCYB88957212
005			20250429180818.0
006			m o d
007			cr un
008			250429s2023 fr | o|||||0|0|||eng d
020			_a9780691252834
035			_aFRCYB88957212
040			_aFR-PaCSA _ben _c _erda
100	1		_aBoardman, John
245	0	1	_aThe Diffusion of Classical Art in Antiquity _c['Boardman, John']
264		1	_bPrinceton University Press _c2023
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aBoardman, John
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88957212 _qtext/html _a
520			_aFrom one of the world’s leading authorities on ancient Greek art, a groundbreaking account of how Greek images were understood and used by other ancient peoples, from Britain to ChinaIn this book, acclaimed archaeologist and art historian John Boardman explores Greek art as a foreign art transmitted to the non-Greeks of antiquity—peoples who weren’t necessarily able to judge the meaning of Greek art and who may have regarded the Greeks themselves with great hostility. Boardman examines how and why the arts of the classical world traveled and to what effect, from Britain to China, from roughly the eighth century BCE to the early centuries CE. In some places, such as Italy, Greek images were overwhelmingly successful. In Egypt, the Celtic world, the eastern steppes, and other regions with strong local traditions, they were never effectively assimilated. And in cultures where there was a subtler blend of influences, notably in the Buddhist east, classical images served as a catalyst to the generation of new styles. Along the way, Boardman demonstrates that looking at Greek art from the outside provides a wealth of new insights into Greek art itself, and he raises important questions about how images in general are copied and reinterpreted.
999			_c1323312 _d1323313