| 000 | 02302cam a2200289zu 4500 | ||
|---|---|---|---|
| 001 | 88957257 | ||
| 003 | FRCYB88957257 | ||
| 005 | 20250429181004.0 | ||
| 006 | m o d | ||
| 007 | cr un | ||
| 008 | 250429s2024 fr | o|||||0|0|||eng d | ||
| 020 | _a9780691208114 | ||
| 035 | _aFRCYB88957257 | ||
| 040 |
_aFR-PaCSA _ben _c _erda |
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| 100 | 1 | _aField, Michael | |
| 245 | 0 | 1 |
_aOne Soul We Divided _bA Critical Edition of the Diary of Michael Field _c['Field, Michael', 'Dever, Carolyn'] |
| 264 | 1 |
_bPrinceton University Press _c2024 |
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| 300 | _a p. | ||
| 336 |
_btxt _2rdacontent |
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| 337 |
_bc _2rdamdedia |
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| 338 |
_bc _2rdacarrier |
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| 650 | 0 | _a | |
| 700 | 0 | _aField, Michael | |
| 700 | 0 | _aDever, Carolyn | |
| 856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88957257 _qtext/html _a |
| 520 | _aThe first book-length selection from the extraordinary unpublished diary of the late-Victorian writer “Michael Field”—the pen name of two female coauthors and romantic partnersMichael Field was known to late-Victorian readers as a superb poet and playwright—until Robert Browning let slip Field’s secret identity: in fact, “Michael Field” was a pseudonym for Katharine Bradley (1846–1914) and Edith Cooper (1862–1913), who were lovers, a devoted couple, and aunt and niece. For thirty years, they kept a joint diary titled Works and Days that eventually reached almost 10,000 pages. One Soul We Divided is the first critical edition of selections from this remarkable unpublished work.A fascinating personal and literary experiment, the diary tells the extraordinary story of the love, art, ambitions, and domestic life of a queer couple in fin de siècle London. It also tells vivid firsthand stories of the literary and artistic worlds Bradley and Cooper inhabited and of their encounters with such celebrities as Browning, Oscar Wilde, W. B. Yeats, Aubrey Beardsley, and Bernard Berenson. Carolyn Dever provides essential context, including explanatory notes, a cast of characters, a family tree, and a timeline.An unforgettable portrait of two writers and their unexpected romantic, literary, and artistic marriage, One Soul We Divided rewrites what we think we know about Victorian women, intimacy, and sexuality. | ||
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