000			01692cam a2200313 4500500
005			20250112023056.0
041			_afre
042			_adc
100	1	0	_aD’Acunto, Matteo _eauthor
245	0	0	_aHipponax and Boupalos: The Dialectic between Sculpture and Poetry in the Archaic Period
260			_c2007.
500			_a78
520			_aAbstract. – Following Viviers’ suggestion that the signature of Boupalos appears on the North Frieze of the Siphnian Treasury at Delphi, the author re-examines the career of this famous Ionian sculptor and his family. There are arguments in favour of the literary tradition which attributes to Boupalos a caricature portrait of the poet Hipponax, following the traditions of iambic poetry for symposia. The dispute between Hipponax and Boupalos could in fact reflect a politico-social and cultural dispute in Archaic Ionia, like that between Hipponax and the painter Mimnes. In this dialectic between poetry and art (sculpture and painting) a new reading of a fragment of Hipponax attacking Boupalos is proposed, where the poet defends the superiority of poetry, which is more supple than inert and silent sculpture.
690			_aLyric poetry
690			_aBoupalos
690			_aArtist signature
690			_aPortrait
690			_aChios
690			_aGreek world
690			_aSculpture
690			_aHipponax
690			_aCaricature
690			_aDelphi
690			_aIonia
690			_aSiphnian Treasury
690			_a6th century. BC.
786	0		_nRevue archéologique | o 44 | 2 | 2007-12-01 | p. 227-268 | 0035-0737
856	4	1	_uhttps://shs.cairn.info/journal-revue-archeologique-2007-2-page-227?lang=en
999			_c141245 _d141245