000 | 01195cam a2200217 4500500 | ||
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005 | 20250112023536.0 | ||
041 | _afre | ||
042 | _adc | ||
100 | 1 | 0 |
_aHorel, Catherine _eauthor |
245 | 0 | 0 | _aThe Third Man: A thriller at the beginning of the Cold War |
260 | _c2018. | ||
500 | _a68 | ||
520 | _aSeen by its author Graham Greene as a mere thriller, is The Third Man rather a story that is deeply rooted in the context of the beginning of the Cold War? This hypothesis is confirmed by the choice of Vienna, occupied by the four allied powers, as its setting, as well as the characterization of some of its characters. Moreover, the differences between the book and the film give us the opportunity to propose a more detailed analysis of a work that has contributed to the creation of the myth of Vienna as the capital of East and West intelligence. | ||
690 | _aOccupation | ||
690 | _aIntelligence | ||
690 | _aCold War | ||
690 | _aVienna | ||
690 | _aFilm | ||
786 | 0 | _nBulletin de l'Institut Pierre Renouvin | o 48 | 2 | 2018-11-19 | p. 43-55 | 1276-8944 | |
856 | 4 | 1 | _uhttps://shs.cairn.info/journal-bulletin-de-l-institut-pierre-renouvin-2018-2-page-43?lang=en |
999 |
_c143057 _d143057 |