000			01380cam a2200217 4500500
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041			_afre
042			_adc
100	1	0	_aSorrel, Vincent _eauthor
245	0	0	_aThe digitization of movie theaters in France: The cultural unthought of a technological transition
260			_c2014.
500			_a98
520			_aWith large-scale, enforced digitization having resulted in the demise of the projectionist as a profession, the techniques of cinema and its editorial model are not only moving closer to those of television and streaming services, but digital projection is now becoming increasingly similar to the domestic use of digitized media. Across a broad digital continuum, movies and other miscellaneous content with various origins can be shown on a movie projector or a tablet. In this context, what remains special about cinema? The author demonstrates and discusses the various differences in terms of image quality and the consequences of movie theater digitization, with a focus on the cultural issues at stake.
690			_aMovie reception
690			_aDigital
690			_aAudience
690			_aCinema
690			_aTechnologies
786	0		_nCommunication & langages | o 181 | 3 | 2014-09-01 | p. 99-114 | 0336-1500
856	4	1	_uhttps://shs.cairn.info/journal-communication-et-langages1-2014-3-page-99?lang=en
999			_c149225 _d149225