000			01574cam a2200169 4500500
005			20251116010758.0
041			_afre
042			_adc
100	1	0	_aPoracchia, Kelly _eauthor
700	1	0	_aHam, Mohammed _eauthor
245	0	0	_aThe image of passion in melancholy: From the broken mirror to the hallucinatory return of the suicide object
260			_c2025.
500			_a19
520			_aIn the logic of passion, an image emerges and invades the field of the visible in a moment of specular jubilation. For the duration of a glance, this image perceived as non-missing captures the being of the subject and freezes the path of the impulse. In this scene of scopic astonishment, the image of the object of passion appears in confusion with the ideal Self, and the object is thus elevated to the rank of sublime ideal. The experience of passion would testify to an impossible mourning and thus, the object of passion would come to corporeate the suicidal object, which is buried and non-specularizable in melancholy. The investment of this object would come to protect the subject from the collapse which threatened him until then and he would now find himself captive of an image coming to fill the void of the mirror. This article is also based on the passion experienced by the Mexican painter Frida Kahlo, whose logic resonates with an original wound.
786	0		_nCliniques méditerranéennes | 112 | 2 | 2025-10-13 | p. 203-215 | 0762-7491
856	4	1	_uhttps://shs.cairn.info/journal-cliniques-mediterraneennes-2025-2-page-203?lang=en&redirect-ssocas=7080
999			_c1562761 _d1562761