000			01548cam a2200157 4500500
005			20251214033148.0
041			_afre
042			_adc
100	1	0	_aRandonneix, Pauline _eauthor
245	0	0	_a“Tous les pinceaux d’Italie”: Italian Painters in the French Artistic Literature of the First Half of the Seventeenth Century
260			_c2025.
500			_a15
520			_aThis article, which is part of the Fonds national suisse (FNS) project entitled “Peindre et penser la peinture en France durant le premier xviie siècle: discours, artistes, concepts” (Painting and Thinking about Painting in France during the First Half of the Seventeenth Century: Discourses, Artists, Concepts), draws on a wide-ranging corpus of various texts to study the presence of Italian artists and their works in the artistic literature published in French during the long early seventeenth century. It brings to light the models that shaped the imaginations of both authors and their readers during this pivotal period –not only in terms of Franco-Italian relations, but also the development of written discourse on painted artistic production. The recurrence of certain painters, as well as the absence of others, is analyzed alongside the discourses surrounding them, with close attention paid to the context of both written works and artworks.
786	0		_nDix-septième siècle | º 308 | 3 | 2025-10-03 | p. 473-489 | 0012-4273
856	4	1	_uhttps://shs.cairn.info/journal-dix-septieme-siecle-2025-3-page-473?lang=en&redirect-ssocas=7080
999			_c1575599 _d1575599