000			01393cam a2200157 4500500
005			20251214033709.0
041			_afre
042			_adc
100	1	0	_aLeblanc, Thomas _eauthor
245	0	0	_aCéline LOCHOT — Complexe de l’ironiste, De Quincey à l’œuvre (Grenoble, UGA Editions, 2021, 352 p., ISBN: 978-2-37747-231-4; OpenEdition Books: 978-2-37747-274-1)
260			_c2025.
500			_a49
520			_aThe present article aims to revisit the familiar trope of English insularity, by pointing to some of its characteristic aspects and probing its heightened ambivalence in the poets of the late eighteenth and early nineteenth centuries. In an age of rapid commercial and imperial expansion, of structural conflict with France, but also of growing geological awareness, the coast of Albion became a rich locus of imaginary formation, from the various vignettes of descriptive and sentimental poetry to the more abstract workings of the canonical Romantic lyric. In the following brief survey, I have tried to combine the study of literary motives with the findings of cultural history, from Alain Corbin’s seminal The Lure of the Sea to the recently-emerged “Blue Humanities.”
786	0		_nÉtudes anglaises | 78 | 2 | 2025-10-23 | p. 244-248 | 0014-195X
856	4	1	_uhttps://shs.cairn.info/journal-etudes-anglaises-2025-2-page-244?lang=en&redirect-ssocas=7080
999			_c1575926 _d1575926