000 01518cam a2200217 4500500
005 20251214034105.0
041 _afre
042 _adc
100 1 0 _aZagury, Fabrice
_eauthor
700 1 0 _aGigandet, Alain
_eauthor
700 1 0 _aDavila, Jorge
_eauthor
700 1 0 _aSévérac, Pascal
_eauthor
700 1 0 _aBras, Gérard
_eauthor
700 1 0 _aCardot, Mireille
_eauthor
245 0 0 _aPolyphonic evocation of the “Seminar”
260 _c2025.
500 _a63
520 _aIn this contribution, we examine the legacy of “Spinozism’s most famous expression,” sub specie aeternitatis, in Wittgenstein’s thought: first, through the characterizations that the author of the Tractatus and the Ethics gives of philosophical thought as offering access to this sub specie aeternitatis perspective; then, by reconsidering its significance for Wittgenstein when he defines the work of art, and more specifically the dramaturgical work; and finally, by outlining the criticisms that Wittgenstein directs at the thought experiment on which Spinoza relies in the famous letter to Schuller. Each of these stages, in our view, highlights key dimensions of the Ethics and its application—dimensions that Bernard Pautrat has taught and, in so doing, demonstrated in all their significance and truth.
786 0 _nLes Études philosophiques | 153 | 2 | 2025-08-25 | p. 129-134 | 0014-2166
856 4 1 _uhttps://shs.cairn.info/journal-les-etudes-philosophiques-2025-2-page-129?lang=en&redirect-ssocas=7080
999 _c1576028
_d1576028