| 000 | 01173cam a2200169 4500500 | ||
|---|---|---|---|
| 005 | 20251214035325.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aRey, Matthieu _eauthor |
| 700 | 1 | 0 |
_aRueedi, Franziska _eauthor |
| 245 | 0 | 0 | _aReinterpreting the South African Transition |
| 260 | _c2025. | ||
| 500 | _a82 | ||
| 520 | _aMusical hauntology examines the functioning of memory and the place of sound recording in this process. The use of a scholarship cultural reference (Derrida) for a popular experimental musical current is noteworthy. It brings together musicians from different horizons, linked not by common sound aesthetics but by a founding philosophical questioning. In this way, the musical anthology exemplifies the crumbling of boundaries between aesthetic genres, but also between different cultural spheres (scholarly/popular). In a final nostalgic gesture, it celebrates the end of the “indicial parenthesis” of analog media. | ||
| 786 | 0 | _n20 & 21. Revue d'histoire | 166 | 2 | 2025-09-11 | p. 3-20 | 0294-1759 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-vingt-et-vingt-et-un-revue-d-histoire-2025-2-page-3?lang=en&redirect-ssocas=7080 |
| 999 |
_c1576294 _d1576294 |
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