000 | 01362cam a2200277 4500500 | ||
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005 | 20250112032302.0 | ||
041 | _afre | ||
042 | _adc | ||
100 | 1 | 0 |
_aCrippa, Giulia _eauthor |
245 | 0 | 0 | _aOn dissonant heritage and memory: theories and practices |
260 | _c2022. | ||
500 | _a34 | ||
520 | _aIn this article we discuss the concept of Dissonant Heritage. After presenting a conceptual approach to dissonance, we propose ways to create new mediations for promoting heritage sites linked to ideologies which are contrary to the principles of the Universal Declaration of Human Rights. In particular, we analyze the monument dedicated to Vittorio Bottego (1860-1897) in the city of Parma, and the collection of plaster casts produced by the fascist anthropologist Lidio Cipriani (1892-1962), preserved and displayed in the Museum of Natural History at the University of Bologna. | ||
690 | _amemory | ||
690 | _apublic space | ||
690 | _adissonant heritage | ||
690 | _aheritage | ||
690 | _acompeting memories | ||
690 | _amemory | ||
690 | _apublic space | ||
690 | _adissonant heritage | ||
690 | _aheritage | ||
690 | _acompeting memories | ||
786 | 0 | _nÉtudes de communication | o 57 | 2 | 2022-04-08 | p. 95-110 | 1270-6841 | |
856 | 4 | 1 | _uhttps://shs.cairn.info/journal-etudes-de-communication-2021-2-page-95?lang=en |
999 |
_c159015 _d159015 |