| 000 | 01602cam a2200169 4500500 | ||
|---|---|---|---|
| 005 | 20251228084528.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aCarruthers, Leo _eauthor |
| 245 | 0 | 0 | _aMARY CARRUTHERS. — The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200. (Cambridge: Cambridge UP, 1998, xvii + 399 pp., £ 37.50, $ 59.95.) |
| 260 | _c2001. | ||
| 500 | _a52 | ||
| 520 | _aRésuméLe mode oblique de Margaret Atwood qui consiste à nommer en détail des choses afin de suggérer des concepts correspond à la stratégie que Roland Barthes a identifiée comme le langage indirect de la littérature. Cet essai étudiera le récit dédoublé de Cat’s Eye, qui tisse deux modes sémiotiques ancrés dans l’objet central, “tremblant”, de la toile, lieu de réflexion sur le langage, les conventions sociales, le pouvoir et les codes de perception. | ||
| 520 | _aMargaret Atwood’s oblique mode consisting in naming things in detail so as to suggest concepts, corresponds to the strategy that Roland Barthes has identified as the indirect language of literature. This paper will explore the doubled narrative of Atwood’s novel Cat’s Eye, with its intermeshing of discursive and figural modes of representation grounded in the central “trembling” object of the canvas, in essence a reflexion on language, social conventions, power, and codes of perception. | ||
| 786 | 0 | _nÉtudes anglaises | 54 | 3 | 2001-07-01 | p. III-III | 0014-195X | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-etudes-anglaises-2001-3-page-III?lang=fr&redirect-ssocas=7080 |
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