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041			_afre
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100	1	0	_aVieuille, Marie-Françoise _eauthor
245	0	0	_aLes couleurs secrètes d’Orphée
260			_c2021.
500			_a83
520			_aAvec l’ Euridice de Jacopo Peri (1600), puis L’ Orfeo de Monteverdi (1607), le genre opéra prend naissance. Le mythe d’Orphée inspirera, surtout aux xviie et xviiie siècles, un très grand nombre de compositeurs qui déploieront, à travers le chantre de Thrace et sa descente aux enfers, la palette riche et secrète des couleurs vocales, captatrices du mystère humain et de l’indicible. En ce sens, l’Orphée lyrique est la métaphore la plus féconde de l’opéra et de sa créativité inépuisable.
520			_aOpera as a genre was born with Jacopo Peri’s Euridice (1600) and with Monteverdi’s Orfeo (1607). The myth of Orpheus was to inspire a great number of composers, especially in the 17th and 18th centuries. Through the story of the bard of Thrace and his descent into Hades, composers would display a rich and secret range of vocal colours in order to explore the human mystery and capture what remains inexpressible. In this sense, the Orpheus character in opera is the most fruitful metaphor for the genre of opera and its infinite creative force.
520			_aCom Eurídice de Jacopo Peri (1600) e Orfeo de Monteverdi (1607) nasce o género operático. O mito de Orfeu vai inspirar, principalmente nos séculos XVII e XVIII, um grande número de compositores que exploram, através da descida aos infernos do herói da Trácia e do seu canto, uma rica e secreta paleta de cores vocais que captam o mistério humano e o indizível. O Orfeu lírico torna-se, neste sentido, na mais fecunda metáfora da ópera e da sua inesgotável criatividade.
786	0		_nSigila | 47 | 1 | 2021-05-31 | p. 97-104 | 1286-1715
856	4	1	_uhttps://shs.cairn.info/revue-sigila-2021-1-page-97?lang=fr&redirect-ssocas=7080
999			_c1605619 _d1605619