000			01561cam a2200157 4500500
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041			_afre
042			_adc
100	1	0	_aGoetschel, Jacques _eauthor
245	0	0	_aThéâtralité hors théâtre : pour lire Nietzsche
260			_c2005.
500			_a9
520			_aConsidering theatrality less as the essence of theatre, which is the high place for Mimesis, than the condition of its emergence, we would like to bring to force what could express it above text and performance : alterity, impresentability, feminity. Even if it seems closely related to place and acting of the representation, including the actors, the spectator and the setting, theatrality will prove to be a place for creativity, a transitional space in which truth can be performed. We will assess its stakes through a second intertextual reading of The Birth of Tragedy and of posthumous extracts from the same period ; we can at the same time wonder over the legitimacy of a theatral instinct which would be one of the essential forms of the « Kunstriels » ; its fate is to act as a metaphor of an « acting Dionysos » and to a revealing poetisation of truth for which the actor eventually turns out to be the interpret in so far as he plays on it on being absent and he opens a text to the other, who never introduces himself as such.
786	0		_nLes Études philosophiques | 73 | 2 | 2005-06-01 | p. 145-182 | 0014-2166
856	4	1	_uhttps://shs.cairn.info/revue-les-etudes-philosophiques-2005-2-page-145?lang=fr&redirect-ssocas=7080
999			_c1648622 _d1648622