| 000 | 01376cam a2200289 4500500 | ||
|---|---|---|---|
| 005 | 20260208005021.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aAlfandary, Isabelle _eauthor |
| 245 | 0 | 0 | _aMachine à suspens : Recantorium de Charles Bernstein |
| 260 | _c2010. | ||
| 500 | _a71 | ||
| 520 | _aThis paper aims at deconstructing the logic of Charles Bernstein’s discourse in Recantorium, a poetic performance delivered on the occasion of an academic conference. Bernstein takes up the rhetorical set form of the Puritan confession, borrowed from the American tradition, in order to undermine it and reveal its violence and vacuity. In Bernstein’s slightly dysfunctioning “machine célibataire,” what is suspended is the unpredictable outcome of a well ordered and highly determined process. | ||
| 690 | _aconfession | ||
| 690 | _alanguage poets | ||
| 690 | _alogique du discours | ||
| 690 | _amachine | ||
| 690 | _aperformance | ||
| 690 | _apuritanisme | ||
| 690 | _aconfession puritanism | ||
| 690 | _alanguage poets | ||
| 690 | _amachine | ||
| 690 | _apoetic performance | ||
| 690 | _athe logic of discourse | ||
| 786 | 0 | _nRevue française d’études américaines | 121 | 3 | 2010-01-29 | p. 84-94 | 0397-7870 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2009-3-page-84?lang=fr&redirect-ssocas=7080 |
| 999 |
_c1650186 _d1650186 |
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