000			01723cam a2200325 4500500
005			20260208005046.0
041			_afre
042			_adc
100	1	0	_aAmfreville, Marc _eauthor
245	0	0	_aLa Scène originaire ou la représentation impossible dans « The Fall of the House of Usher »
260			_c2013.
500			_a65
520			_aFar from psychobiography and “textual psychoanalysis,” this article probes into the all-informing fantasy of the Primal Scene in Poe’s “Fall of the House of Usher.” It seeks to demonstrate, by relying on Marin, Rancière and Rosolato, that a pre-Freudian work of art can resort to an intuition of repressed images and mechanisms at work in our symbolization of life and death, precisely to represent the impossibility of imitation, while paradoxically opening up to another form of mimesis. It thus touches upon the very question of the origin of creation and identifies a specifically literary knowledge of the unconscious, which may account for this tale’s inexhaustible power of fascination.
690			_a« Fall of the House of Usher »
690			_afantasmes archaïques
690			_afigurabilité
690			_amimesis
690			_aPoe
690			_areprésentation
690			_ascène originaire
690			_a« Fall of the House of Usher »
690			_aarchaic fantasy
690			_afigurability
690			_amimesis
690			_aPoe
690			_aprimal scene
690			_arepresentation
786	0		_nRevue française d’études américaines | 135 | 1 | 2013-11-01 | p. 27-38 | 0397-7870
856	4	1	_uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-1-page-27?lang=fr&redirect-ssocas=7080
999			_c1650381 _d1650381