000			01656cam a2200265 4500500
005			20260208005102.0
041			_afre
042			_adc
100	1	0	_aBardizbanian, Audrey _eauthor
245	0	0	_aSuppléer l’absence : MetaMaus d’Art Spiegelman, ou la fin des modèles ?
260			_c2015.
500			_a94
520			_aPublished on the 25th anniversary of Art Spiegelman’s acclaimed graphic novel, Maus, MetaMaus (2011) is an intermedial work consisting of interviews and various archival materials on the making of Maus, which is itself a reconstruction of the artist’s father’s oral testimony on his survival in Auschwitz, but also relates his own trauma, as a child of survivors. This article means to discuss the way in which the materiality of the book questions its own status as an object and a medium as well as the alternative readings it entails. Drawing on Jacques Derrida’s theorization of the supplement, in De la grammatologie, we strive to look at the way in which the book, through its very hybridity and heterogeneity, tries to fill a void, an absence, that paradoxically enables the author to reconstruct his own legacy of history and trauma.
690			_aArt Spiegelman
690			_aintermédialité
690			_amedium
690			_aMetaMaus
690			_apostmémoire
690			_asupplément
690			_atémoignage
690			_atexte/image
690			_atrauma
786	0		_nRevue française d’études américaines | 142 | 1 | 2015-10-02 | p. 87-106 | 0397-7870
856	4	1	_uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2015-1-page-87?lang=fr&redirect-ssocas=7080
999			_c1650513 _d1650513