000			01749cam a2200241 4500500
005			20260208005113.0
041			_afre
042			_adc
100	1	0	_aAnker, Richard _eauthor
245	0	0	_aL’Inquiétante modernité de The Sacred Fount
260			_c2017.
500			_a77
520			_aJust before writing The Ambassadors, The Wings of the Dove and The Golden Bowl, James wrote The Sacred Fount, and attempted to write a novel entitled The Sense of the Past, works in which an ambitious attempt to unearth the “source” of his writing and the mimetic origin of thought came to a head. The author’s apparent repudiation of the first, the failure to complete the latter, and the immense critical success which crowned his return to the “realist” novel, have all contributed to nearly obliterate, a century of (mis-)reading later, the wit and the analytical insight contained in what in many regards is James’s most “modern” novel, as well as the most (eccentrically) central novel of his œuvre as a whole. This paper attempts to throw light on the mimetic logic underwriting this paradoxically eccentric center, on the apocryphal nature of it – its “im-posture” as a work of representation –, and on the inherently impious, or traitorous, manner of being of this work in the eyes of the Master.
690			_adouble contrainte
690			_aénonciation
690			_aHenry James
690			_amimesis
690			_asacrifice
690			_aThe Sacred Fount
690			_aUnheimlich
786	0		_nRevue française d’études américaines | 150 | 1 | 2017-07-01 | p. 9-25 | 0397-7870
856	4	1	_uhttps://shs.cairn.info/revue-francaise-d-etudes-americaines-2017-1-page-9?lang=fr&redirect-ssocas=7080
999			_c1650595 _d1650595