| 000 | 01222cam a2200157 4500500 | ||
|---|---|---|---|
| 005 | 20260308004436.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aDupuy, Francis _eauthor |
| 245 | 0 | 0 | _aPaul Mercier, Dakar dans les années 1950, Edited and with a postface by Jean Copans, foreword by Jean-Luc Bonniol, Paris, Éditions du CTHS, 2021, 335 p. |
| 260 | _c2022. | ||
| 500 | _a89 | ||
| 520 | _aEthnological heritage, and then intangible cultural heritage (ICH), have often been at the heart of new heritage projects over the last thirty years, driven in particular by non-institutional actors such as associations. But this is not the case everywhere. Based on a survey carried out in Picardy (Aisne and Somme), this article examines the reasons why, in this region, heritage associations have been created mainly around the monument and ’great’ history, while attempts by cultural or political institutions to turn into heritage industrial sites, practices or popular objects have hardly met with any response. | ||
| 786 | 0 | _nEthnologie française | 52 | 3 | 2022-12-07 | p. 553-555 | 0046-2616 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-ethnologie-francaise-2022-3-page-553?lang=en&redirect-ssocas=7080 |
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_c1678242 _d1678241 |
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