| 000 | 01231cam a2200277 4500500 | ||
|---|---|---|---|
| 005 | 20250112035220.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aBerton, Jacques _eauthor |
| 245 | 0 | 0 | _aWajdi Mouawad’s windows |
| 260 | _c2022. | ||
| 500 | _a44 | ||
| 520 | _aFrom a fragment of text, the author links the director’s words: Wajdi Mouawad on theater, with specific questions about professional posture and the challenges of observation. The latter, led by a subject, always adopts a point of view and it is only when it is confronted with other points of view that it has some chance of becoming a little more objective.Mixing the humanities, literature, and theater is part of a complex approach where the goal is to multiply “windows” as openings to the world. | ||
| 690 | _aWajdi Mouawad | ||
| 690 | _amix | ||
| 690 | _aintersubjectivity | ||
| 690 | _ainvolved observation | ||
| 690 | _anarrative | ||
| 690 | _aWajdi Mouawad | ||
| 690 | _amix | ||
| 690 | _aintersubjectivity | ||
| 690 | _ainvolved observation | ||
| 690 | _anarrative | ||
| 786 | 0 | _nSociographe | o 77 | 1 | 2022-02-09 | p. 33-41 | 1297-6628 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-sociographe-2022-1-page-33?lang=en |
| 999 |
_c171502 _d171502 |
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