000			01800cam a2200277 4500500
005			20250112041413.0
041			_afre
042			_adc
100	1	0	_aIllouz, Charles _eauthor
245	0	0	_aKanak art in its environment. Comparison Grande Terre / Maré (New Caledonia)
260			_c2022.
500			_a62
520			_aJean Guiart’s work on Oceanian art reveals the almost total absence of art from the Loyalty Islands. An examination of the ethnography and the various museum collections from these islands points in the same direction. Maré in the Loyalty Islands offers nothing similar to the art of sculpture on Grande Terre in New Caledonia: the places devoted to housing sculpted objects on Grande Terre are entirely vacant on Maré. The geographical proximity, which allowed for regular exchanges of all kinds between Grande Terre and the Loyalty, encourages the search for the original forms of creation in Maré. Starting with a few comments on the art of Grande Terre, the aim is to vary the scales of observation in order to consider the places where the art objects are installed in the same way as the objects themselves, to observe the type of interdependency that a manufactured object maintains with the landscape in which it is inscribed, to relate the artefact to its exhibition environment.
690			_aMaré
690			_aNew Caledonia
690			_aenvironment
690			_aLoyalty Islands
690			_aKanak art
690			_aMaré
690			_aNew Caledonia
690			_aenvironment
690			_aLoyalty Islands
690			_aKanak art
786	0		_nJournal de la Société des Océanistes | o 154 | 1 | 2022-07-11 | p. 167-179 | 0300-953X
856	4	1	_uhttps://shs.cairn.info/journal-de-la-societe-des-oceanistes-2022-1-page-167?lang=en
999			_c180062 _d180062