000 | 02321cam a2200289zu 4500 | ||
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001 | 88843757 | ||
003 | FRCYB88843757 | ||
005 | 20250107112015.0 | ||
006 | m o d | ||
007 | cr un | ||
008 | 250107s2013 fr | o|||||0|0|||eng d | ||
020 | _a9781433120053 | ||
035 | _aFRCYB88843757 | ||
040 |
_aFR-PaCSA _ben _c _erda |
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100 | 1 | _aBlock, Jane | |
245 | 0 | 1 |
_aHomage to Adrienne Fontainas _bPassionate Pilgrim for the Arts _c['Block, Jane', 'Sorgeloos, Claude'] |
264 | 1 |
_bPeter Lang _c2013 |
|
300 | _a p. | ||
336 |
_btxt _2rdacontent |
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337 |
_bc _2rdamdedia |
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338 |
_bc _2rdacarrier |
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650 | 0 | _a | |
700 | 0 | _aBlock, Jane | |
700 | 0 | _aSorgeloos, Claude | |
856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88843757 _qtext/html _a |
520 | _aThe twenty-two essays in this volume are contributed by Belgian, French, and American scholars to honor the memory and work of Adrienne Fontainas (1929-2010). The interdisciplinary scholarship this community of international scholars has produced is of lasting importance in underlining the significant role of Brussels from 1870 to 1914. A leading European scholar and bibliophile, Adrienne Fontainas served as Vice President of the International Association of Bibliophiles and membre d’honneur of the Royal Society of Bibliophiles and Iconophiles of Belgium. Her groundbreaking books on the Symbolist poet Stéphane Mallarmé and his Brussels’ editor Edmond Deman (Edmond Deman éditeur : Art et édition au tournant du siècle and Edmond Deman : Publications de la librairie) are model studies of the book publishing trade in France and Belgium. The essays in this book explore a wide variety of interdisciplinary fields, including art history, book collecting, publishing, literature and music, and cover subjects such as Félicien Rops, William Degouve de Nuncques, Symbolism and Surrealism, Maurice Maeterlinck and Émile Verhaeren, Paul Signac, Victor Horta, Edmond Picard, André Fontainas, Edmond Deman, and Franz Liszt in Belgium. In addition, a comprehensive bibliography of Adrienne Fontainas’ writings in the visual arts, literature, and music, as well as a discussion of her working methodology, are included. This book contains contributions in French and English. | ||
999 |
_c18193 _d18193 |