000			01147cam a2200217 4500500
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041			_afre
042			_adc
100	1	0	_aRodríguez Aedo, Javier _eauthor
245	0	0	_aExile, denunciation, and exoticism: Chilean folk music and its reception in Europe
260			_c2015.
500			_a20
520			_aIn this article we will reflect on the modalities adopted by the Chilean folk song in Europe, its aesthetic and musical strategies, and how this music was received by European audiences. Although the presence of Chilean music increased after the military coup of September 1973, it is necessary to trace it back to the 1960s when so-called “Andean music” took shape in Paris. This shows us how this relationship founded on an exotic view, although it may sound contradictory, empowered Chilean music during the exile.
690			_aandean music
690			_apopular music
690			_aexile
690			_adenunciation
690			_aexoticism
786	0		_nMonde(s) | o 8 | 2 | 2015-12-21 | p. 141-160 | 2261-6268
856	4	1	_uhttps://shs.cairn.info/journal-mondes-2015-2-page-141?lang=en
999			_c188753 _d188753