000			02005cam a2200277zu 4500
001			88844729
003			FRCYB88844729
005			20250107112954.0
006			m o d
007			cr un
008			250107s2011 fr | o|||||0|0|||eng d
020			_a9783034301749
035			_aFRCYB88844729
040			_aFR-PaCSA _ben _c _erda
100	1		_aCaleshu, Anthony
245	0	1	_aReconfiguring the Modern American Lyric _bThe Poetry of James Tate _c['Caleshu, Anthony']
264		1	_bPeter Lang _c2011
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aCaleshu, Anthony
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88844729 _qtext/html _a
520			_aJames Tate is one of America’s most respected and senior poets, whose influence is increasingly widespread. However, his whimsical play has long challenged critics to read him with any depth. After winning the Yale Prize in 1967 for his first book, The Lost Pilot, published when he was just twenty-three, Tate has since gone on to win major literary awards including the Pulitzer Prize, the National Book Award, and the Tanning Prize for Lifetime Achievement from the Academy of American Poets. This is the first monograph dedicated to Tate’s œuvre. The author provides a practical reading theory for Tate, complete with contextual frameworks. Close readings of Tate’s work are informed by the purposeful purposelessness of Kant, the surrealist debt to Breton, and the problems and pleasures of language as explored by Derrida. Tate’s great achievement is no less than a reconfiguring of the modern American lyric as a poetry of dramatic and dialogic narrative. Composed out of ‘odds and ends ... of no great moment’, as the poet himself writes, Tate’s work extends the varied American traditions of writers such as William Carlos Williams, Wallace Stevens, John Berryman, and John Ashbery.
999			_c19092 _d19092