000			02046cam a2200277zu 4500
001			88845652
003			FRCYB88845652
005			20250107113926.0
006			m o d
007			cr un
008			250107s2012 fr | o|||||0|0|||eng d
020			_a9783631633557
035			_aFRCYB88845652
040			_aFR-PaCSA _ben _c _erda
100	1		_aBreninger, Birgit
245	0	1	_aFeminist Perspectives on Cultural and Religious Identities _bRewriting Mary Magdalene, Mother Ireland and Cú Chulainn of Ulster _c['Breninger, Birgit']
264		1	_bPeter Lang _c2012
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aBreninger, Birgit
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88845652 _qtext/html _a
520			_aThroughout the second half of the 20th century various societies were shaped by conflicting trends of globalization and nationalist resurgence, powerful surges of collective identities as well as fragmentation into individualistic subjects. Against this background of various socio-cultural movements aiming to transform established value systems, women poets and novelists set out to deconstruct dominant ways of perceiving and experiencing ‘reality’ and identities by raising their voices against demystification and powerlessness. This book analyzes what is termed by the author as ‘deconstructive rewritings’ in culturally relevant ways. Due to the specialist focus on the choice of ‘reworked threads of mythical strands’, an analysis referred to as mytho-literanalysis is introduced and deployed. By using what Barthes has termed the best weapon against myth, namely the mythification of myth in its turn, the women writers’ rewritings embody the idea to tell the well-known stories so many times in so many different ways that one embraces and finally ‘becomes’ the plethora of stories and not the petrified reiteration of the mimicry of one popular version.
999			_c19971 _d19971