000			02145cam a2200289zu 4500
001			88845660
003			FRCYB88845660
005			20250107113931.0
006			m o d
007			cr un
008			250107s2011 fr | o|||||0|0|||eng d
020			_a9783039118915
035			_aFRCYB88845660
040			_aFR-PaCSA _ben _c _erda
100	1		_aSchmid, Marion
245	0	1	_aAu seuil de la modernité: Proust, Literature and the Arts _bEssays in Memory of Richard Bales _c['Schmid, Marion', 'Harkness, Nigel']
264		1	_bPeter Lang _c2011
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aSchmid, Marion
700	0		_aHarkness, Nigel
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88845660 _qtext/html _a
520			_aThis volume of essays, which is dedicated to the late Richard Bales, one of the doyens of Proust studies, considers Proust’s pivotal role at the threshold of modernity, between nineteenth- and twentieth-century forms of writing and thinking, between the Belle Epoque and the First World War, between tradition and innovation. More than just a temporal concept, this threshold is theorized in the volume as a liminal space where borders (geographical, artistic, personal) dissolve, where greater possibilities for artistic dialogue emerge, and where unexpected encounters (between artists, genres and disciplines) take place. Working both backwards and forwards from the publication dates of A la recherche du temps perdu (1913-27), the seventeen essays written specially for this volume take as their focus Proust’s manifold engagements with the world of modernity, as well as intermedial relations among the generations of artists before and immediately after him. Looking back to the nineteenth century, the undisputed starting point for nascent forms of modernity in Western art and literature, and a period that was uniquely formative for the young Proust, they also offer insights into inter-artistic dialogue in Surrealist and post-Surrealist painting and poetry.
999			_c19977 _d19977