| 000 | 01462cam a2200277zu 4500 | ||
|---|---|---|---|
| 001 | 88845973 | ||
| 003 | FRCYB88845973 | ||
| 005 | 20250107114241.0 | ||
| 006 | m o d | ||
| 007 | cr un | ||
| 008 | 250107s2014 fr | o|||||0|0|||eng d | ||
| 020 | _a9783653047936 | ||
| 035 | _aFRCYB88845973 | ||
| 040 |
_aFR-PaCSA _ben _c _erda |
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| 100 | 1 | _aKajanová, Yvetta | |
| 245 | 0 | 1 |
_aOn the History of Rock Music _c['Kajanová, Yvetta'] |
| 264 | 1 |
_bPeter Lang _c2014 |
|
| 300 | _a p. | ||
| 336 |
_btxt _2rdacontent |
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| 337 |
_bc _2rdamdedia |
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| 338 |
_bc _2rdacarrier |
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| 650 | 0 | _a | |
| 700 | 0 | _aKajanová, Yvetta | |
| 856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88845973 _qtext/html _a |
| 520 | _aOn the History of Rock Music follows the development of rock music from its origins up to the present time. It focuses on the relationship between the sound, improvisations and rhythms in particular styles, and gives specific attention to the development of rhythm. The beat-offbeat principle, polyrhythms and polymetrics are fundamental to rock rhythm patterns, which serve as archetypes for specific rhythms. An archetype is a prototype, a model, or an innate experience of a species. Using more than 250 score examples, the author identifies the characteristic rhythmic patterns in rock styles, ranging from rock and roll, hard rock and punk rock to alternative rock, indie rock and grind core. | ||
| 999 |
_c20275 _d20275 |
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