000			01762cam a2200277zu 4500
001			88846114
003			FRCYB88846114
005			20250107114426.0
006			m o d
007			cr un
008			250107s2011 fr | o|||||0|0|||eng d
020			_a9783039117185
035			_aFRCYB88846114
040			_aFR-PaCSA _ben _c _erda
100	1		_aKühl, Ole
245	0	1	_aMusical Semantics _c['Kühl, Ole']
264		1	_bPeter Lang _c2011
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aKühl, Ole
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88846114 _qtext/html _a
520			_aMusic offers a new insight into human cognition. The musical play with sounds in time, in which we share feelings, gestures and narratives, has fascinated people from all times and cultures. The author studies this semiotic behavior in the light of research from a number of sources. Being an analytical study, the volume combines evidence from neurobiology, developmental psychology and cognitive science. It aims to bridge the gap between music as an empirical object in the world and music as lived experience. This is the semantic aspect of music: how can something like an auditory stream of structured sound evoke such a strong reaction in the listener? The book is in two parts. In the first part, the biological foundations of music and their cognitive manifestations are considered in order to establish a groundwork for speaking of music in generic, cross-cultural terms. The second part develops the semantic aspect of music as an embodied, emotively grounded and cognitively structured expression of human experience.
999			_c20439 _d20439