000			01915cam a2200277zu 4500
001			88846115
003			FRCYB88846115
005			20250107114428.0
006			m o d
007			cr un
008			250107s2011 fr | o|||||0|0|||eng d
020			_a9783039118267
035			_aFRCYB88846115
040			_aFR-PaCSA _ben _c _erda
100	1		_aMilner, Andrew
245	0	1	_aTenses of Imagination _bRaymond Williams on Science Fiction, Utopia and Dystopia _c['Milner, Andrew']
264		1	_bPeter Lang _c2011
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aMilner, Andrew
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88846115 _qtext/html _a
520			_aRaymond Williams was an enormously influential figure in late twentieth-century intellectual life as a novelist, playwright and critic, «the British Sartre», as The Times put it. He was a central inspiration for the early British New Left and a close intellectual supporter of Plaid Cymru. He is widely acknowledged as one of the «founding fathers» of cultural studies, who established «cultural materialism» as a new paradigm for work in both literary and cultural studies. There is a substantial secondary literature on Williams, which treats his life and work in each of these respects. But none of it makes much of his enduring contribution to utopian studies and science fiction studies. This volume brings together a complete collection of Williams’s critical essays on science fiction and futurology, utopia, and dystopia, in literature, film, television, and politics, and with extracts from his two future novels, The Volunteers (1978) and The Fight for Manod (1979). Both the collection as a whole and the individual readings are accompanied by introductory essays written by Andrew Milner.
999			_c20442 _d20442