000			01685cam a2200289zu 4500
001			88846284
003			FRCYB88846284
005			20250107114602.0
006			m o d
007			cr un
008			250107s2014 fr | o|||||0|0|||eng d
020			_a9783631643693
035			_aFRCYB88846284
040			_aFR-PaCSA _ben _c _erda
100	1		_aBorysowska, Agnieszka
245	0	1	_a"Poesis Artificiosa" _bBetween Theory and Practice _c['Borysowska, Agnieszka', 'Milewska-Wazbinska, Barbara']
264		1	_bPeter Lang _c2014
300			_a p.
336			_btxt _2rdacontent
337			_bc _2rdamdedia
338			_bc _2rdacarrier
650		0	_a
700	0		_aBorysowska, Agnieszka
700	0		_aMilewska-Wazbinska, Barbara
856	4	0	_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88846284 _qtext/html _a
520			_aPoesis artificiosa was known in the literary heritage of ancient Greeks and Romans, and in the Far and Middle East. Its tradition was preserved in the Middle Ages and practiced later. Poesis artificiosa gained an unprecedented popularity in the Baroque – a period most inclined towards all manner of special effects. The aim of this book is to present problems related to the Neo-Latin pattern poetry created from the 15th to the 18th century in Central Europe, mainly in the Polish-Lithuanian Commonwealth, German Pomerania, and Silesia. In the initial chapters, the authors discuss the practical application of pattern poetry in religious works, in compositions intended for the commemoration of the departed, and in poems featuring panegyric content. The remaining chapters refer to its theoretical aspects.
999			_c20588 _d20588