| 000 | 01416cam a2200277zu 4500 | ||
|---|---|---|---|
| 001 | 88846323 | ||
| 003 | FRCYB88846323 | ||
| 005 | 20250107114626.0 | ||
| 006 | m o d | ||
| 007 | cr un | ||
| 008 | 250107s2014 fr | o|||||0|0|||eng d | ||
| 020 | _a9783653024272 | ||
| 035 | _aFRCYB88846323 | ||
| 040 |
_aFR-PaCSA _ben _c _erda |
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| 100 | 1 | _aFloros, Constantin | |
| 245 | 0 | 1 |
_aGustav Mahler and the Symphony of the 19th Century _bTranslated by Neil K. Moran _c['Floros, Constantin'] |
| 264 | 1 |
_bPeter Lang _c2014 |
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| 300 | _a p. | ||
| 336 |
_btxt _2rdacontent |
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_bc _2rdamdedia |
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| 338 |
_bc _2rdacarrier |
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| 650 | 0 | _a | |
| 700 | 0 | _aFloros, Constantin | |
| 856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88846323 _qtext/html _a |
| 520 | _aThe subject of this book is the semantics of symphonic music from Beethoven to Mahler. Of fundamental importance is the realization that this music is imbued with non-musical, literary, philosophical and religious ideas. It is also clear that not only Beethoven, Schubert and Bruckner were crucial role models for Mahler, but also the musical dramatist Wagner and the programmatic symphony composers Berlioz and Liszt. At the same time a semantic musical analysis of their works reveals for the first time the actual inherent (poetic) quintessence of numerous orchestral works of the 19th Century. | ||
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_c20623 _d20623 |
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