000 | 01795cam a2200277zu 4500 | ||
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001 | 88846712 | ||
003 | FRCYB88846712 | ||
005 | 20250107115010.0 | ||
006 | m o d | ||
007 | cr un | ||
008 | 250107s2013 fr | o|||||0|0|||eng d | ||
020 | _a9783034313957 | ||
035 | _aFRCYB88846712 | ||
040 |
_aFR-PaCSA _ben _c _erda |
||
100 | 1 | _aMiller, Alyson | |
245 | 0 | 1 |
_aHaunted by Words _bScandalous Texts _c['Miller, Alyson'] |
264 | 1 |
_bPeter Lang _c2013 |
|
300 | _a p. | ||
336 |
_btxt _2rdacontent |
||
337 |
_bc _2rdamdedia |
||
338 |
_bc _2rdacarrier |
||
650 | 0 | _a | |
700 | 0 | _aMiller, Alyson | |
856 | 4 | 0 |
_2Cyberlibris _uhttps://international.scholarvox.com/netsen/book/88846712 _qtext/html _a |
520 | _aThis book critically examines a wide range of contemporary literary scandals in order to identify the cultural and literary anxieties revealed by controversial works. It explores how scandal predominantly emerges in relation to texts which offer challenging representations concerning children, women, sexuality, religion and authenticity, and how literary controversies bring to the surface a series of concerns about the complex construction of identity, history and reality. Including works such as J.K. Rowling’s Harry Potter series (1996–2007), Bret Easton Ellis’ American Psycho (1991), James Frey’s A Million Little Pieces (2003), Misha Defonseca’s Misha: A Mémoire of the Holocaust (1997), Salman Rushdie’s The Satanic Verses (1988) and Philip Pullman’s His Dark Materials trilogy (1995–2000), the author analyses a broad spectrum of texts in order to examine why books continue to provoke public debate and outrage, and what the arguments surrounding scandalous works suggest about literature and the world. | ||
999 |
_c20975 _d20975 |