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| 005 | 20250112053619.0 | ||
| 041 | _afre | ||
| 042 | _adc | ||
| 100 | 1 | 0 |
_aAlfandary, Isabelle _eauthor |
| 245 | 0 | 0 | _aExpressing Substance or the Substance of Expression in Gertrude Stein's Tender Buttons |
| 260 | _c2002. | ||
| 500 | _a63 | ||
| 520 | _aThis article seeks to analyse the nature of Gertrude Stein's poetic language in Tender Buttons. The notion of substance is at the core of Stein's grammar: the poet does not use language to describe the world's substance, but uses language as a substance, turns language into a matter that she models as she writes. All landmarks are lost: the syntax often does not make sense, the mimetic representation is deliberately blurred. The reader can barely recognize his own language, the world he lives in: what the text manifests is that language definitely stands on its own. | ||
| 690 | _aLanguage | ||
| 690 | _aPleasure | ||
| 690 | _aMeaning | ||
| 690 | _aMimesis | ||
| 690 | _aGertrude Stein | ||
| 690 | _aPoetic matter | ||
| 786 | 0 | _nRevue française d’études américaines | o 93 | 3 | 2002-09-01 | p. 54-64 | 0397-7870 | |
| 856 | 4 | 1 | _uhttps://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2002-3-page-54?lang=en |
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