000 02266cam a2200277zu 4500
001 88847009
003 FRCYB88847009
005 20250107115315.0
006 m o d
007 cr un
008 250107s2015 fr | o|||||0|0|||eng d
020 _a9783035306910
035 _aFRCYB88847009
040 _aFR-PaCSA
_ben
_c
_erda
100 1 _aAgzenay, Asma
245 0 1 _aReturning the Gaze
_bThe Manichean Drama of Postcolonial Exoticism
_c['Agzenay, Asma']
264 1 _bPeter Lang
_c2015
300 _a p.
336 _btxt
_2rdacontent
337 _bc
_2rdamdedia
338 _bc
_2rdacarrier
650 0 _a
700 0 _aAgzenay, Asma
856 4 0 _2Cyberlibris
_uhttps://international.scholarvox.com/netsen/book/88847009
_qtext/html
_a
520 _aThis book is proposed as a contribution to postcolonial critiques of the colonial and postcolonial exotic. It investigates the exotic as a representation of colonial cultural difference in colonial discourse, culture and history, and its oppositional rewritings in postcolonial thought and literature. Its analyses of the exotic include classical Arabo-Islamic ethnographic texts, Marco Polo’s and Mandeville’s travel accounts, Shakespeare’s The Tempest, Montesquieu’s Lettres Persanes, and a variety of colonial and postcolonial texts. Its Deconstructive approach to the exotic breaks new grounds of analysis beyond the Saidian problematic of «Orientalism», Homi Bhabha’s intervention on the exotic, Hegel’s Master/Slave dialectic, Michel Foucault’s archaeology of Western cultural history, and Sartre’s theorization of the «gaze» and its underlying Phenomenological subject. The scope of critical discussions of the exotic in this book includes – apart from Western cultural history – postmodern and postcolonial critiques of the colonial Other and exotic, and anthropological and philosophical discussions of the exotic. While tracing the divided inscription of the exotic as a colonial subject with reference to Shakespeare’s The Tempest, the author throws into question l’Exote and the exotic Other as problematic subject positions for reading and rewriting the exotic in cultural history, and the double binds of counter-Exoticist discourses.
999 _c21266
_d21266