000			01428cam a2200157 4500500
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041			_afre
042			_adc
100	1	0	_aHuguet, Jean-Marc _eauthor
245	0	0	_aGoethe’s tree
260			_c2002.
500			_a35
520			_aBuchenwald is eight kilometers from Weimar. Weimar-the-Beautiful, cradle of German culture, symbolizes German unity, according to Goethe. Weimar-the-Black, Hitler parading at the Elephant Hotel, when he took Thuringia. In the Buchenwald camp, Faust can cry “Even Hell has its own laws.” Boris Taslitzky paints Halbwachs in the Revier de Buchenwald, Zoran Music draws Dachau. Another war at another time, in 1912, at the Neulengbach prison, Egon Schiele “lives a life of profound misery.” Five years later, in the Weimar Republic, the Bauhaus School inaugurated total architectural creativity. Wassily Kandinsky and Paul Klee invented modern art. The Bauhaus was closed in 1933. Art was to be devoted to the glorification of the Volksgemeinschaft, the Nazi national community. The imbrication of good and evil, by the proximity of these places, renders what art can suggest of the unspeakable when the artist rubs shoulders with horror.
786	0		_nRevue internationale de Psychosociologie | VIII | 18 | 2002-03-01 | p. 127-137 | 1260-1705
856	4	1	_uhttps://shs.cairn.info/journal-revue-internationale-de-psychosociologie-2002-18-page-127?lang=en
999			_c219852 _d219852